you're what happens when two substances collide [open]
(They aren't her nightmares. That's the worst thing about them, that they don't belong to her, there's no reason they should be forced on her, it's not fair that she should be paying for the things her parents did, as if bad dreams could be passed down through blood like her mother's dark hair and her father's thin face.)
She's asleep in her armchair, not her bed--the beds are too big and have too many fluffy blankets, and she's aware of how small she looks sleeping in them--with her arms over her face. For the last few moments now she's been making sucking, gasping noises, as if she were underwater and out of air.
(She's aware she lies, aware of everything she's been taught. Linden was a servant, Morgause was the queen, and as they were always perfectly correct (if there were any values of correct that fit the domain and range of their house) it was years before she realised she was his daughter, that her father wasn't the mysterious lover her mother had had back in the place they lived before, where Leonato was born. And even then she hardly understood what it meant. There were no fathers: Leonato had none: Hero the maid's husband had died somewhere else. Linden practised inconspicuousness, blending into rooms when he entered them, always mild and friendly and hidden.
Their household is cobbled and patchworked and made up of orphans. She knows that. People with no homes and no parents.
All they have is the bad inheritance left to them. Nightmares and cruelty, wounds and lies, her mother's slender magic, Leonato's grave bearing--Linden's eyes, always bruised with sleeplessness, and Hero's wistful smiling, the way she took them walking when they were younger and brought them home with baskets of olives and dust-stained clothes, and the way she always thinks of Morgause as the Lady, not the mother, and whatever it was that made them come to Italy that nobody ever talks about but left something bitter and sad as a residue on everything in their house--)
She begins to sob.
She's asleep in her armchair, not her bed--the beds are too big and have too many fluffy blankets, and she's aware of how small she looks sleeping in them--with her arms over her face. For the last few moments now she's been making sucking, gasping noises, as if she were underwater and out of air.
(She's aware she lies, aware of everything she's been taught. Linden was a servant, Morgause was the queen, and as they were always perfectly correct (if there were any values of correct that fit the domain and range of their house) it was years before she realised she was his daughter, that her father wasn't the mysterious lover her mother had had back in the place they lived before, where Leonato was born. And even then she hardly understood what it meant. There were no fathers: Leonato had none: Hero the maid's husband had died somewhere else. Linden practised inconspicuousness, blending into rooms when he entered them, always mild and friendly and hidden.
Their household is cobbled and patchworked and made up of orphans. She knows that. People with no homes and no parents.
All they have is the bad inheritance left to them. Nightmares and cruelty, wounds and lies, her mother's slender magic, Leonato's grave bearing--Linden's eyes, always bruised with sleeplessness, and Hero's wistful smiling, the way she took them walking when they were younger and brought them home with baskets of olives and dust-stained clothes, and the way she always thinks of Morgause as the Lady, not the mother, and whatever it was that made them come to Italy that nobody ever talks about but left something bitter and sad as a residue on everything in their house--)
She begins to sob.